Review: MusicWebInternational
Ludwig van Beethoven
33 Variations on a Waltz by Anton Diabelli, op. 120
Theme. Vivace
2. Var. 1 Alla Marcia maestoso
3. Var. 2 Poco allegro
4. Var. 3 L´istesso tempo
5. Var. 4 Un poco più vivace
6. Var. 5 Allegro vivace
7. Var. 6 Allegro ma non troppo e serioso
8. Var. 7 Un poco più allegro
9. Var. 8 Poco vivace
10. Var. 9 Allegro pesante e risoluto
11. Var. 10 Presto
12. Var. 11 Allegretto
13. Var. 12 Un poco più moto
14. Var. 13 Vivace
15. Var. 14 Grave e maestoso
16. Var. 15 Presto scherzando
17. Var. 16 Allegro
18. Var. 17 …
19. Var. 18 Poco moderato
20. Var. 19 Presto
21. Var. 20 Andante
22. Var. 21 Allegro con brio – Meno allegro
23. Var. 22 Allegro molto (alla “Notte e giorno faticar” di Mozart)
24. Var. 23 Allegro assai
25. Var. 24 Fughetta. Andante
26. Var. 25 Allegro
27. Var. 26 …
28. Var. 27 Vivace
29. Var. 28 Allegro
30. Var. 29 Adagio ma non troppo
31. Var. 30 Andante, sempre cantabile
32. Var. 31 Largo, molto espressivo
33. Var. 32 Fuga. Allegro – Poco adagio
34. Var. 33 Tempo di Menuetto, moderato (ma non tirarsi dietro)
33 Veränderungen über einen Walzer von Diabelli ©
The occasion for 33 Veränderungen über einen Walzer von Diabelli was a request from the composer – and in this context, not least – the publisher Anton Diabelli. In early 1819 he had the idea to ask Austria’s leading composers (including Schubert, Czerny and Hummel) to write a single variation over a
waltz theme written by Diabelli himself. Legend has it that Beethoven refused writing such as Schusterfleck (both in the sense of cobbler’s patch and in reference to the sequencing of the theme), but since Diabelli was both an acquaintance and was willing to pay – not only for a single variation but for a complete variation sequence – the work slowly grew. With other commissions pressing for completion, the work did not appear in one progressive process. To say that variations were created pell-mell may be an exaggeration, but a number of the movements were inserted later – perhaps in order to mark the mentioned grand formal thinking in the direction of a work both full of contrasts and cohesiveness. The result is unmistakable. It is a magnificent crowning of Beethoven’s jewels of great and substantial piano works.
RELEASE DATE: MAY 2014
CATALOGUE NUMBER: DACOCD 747
EAN: 5709499747001




