1. Præludium g-moll (BuxWV 149)
2. Nun komm der Heiden Heiland (BuxWV 211)
3. Magnificat Noni Toni (BuxWV 205)
4. Herr Christ, der einig Gottes Sohn (BuxWV 191)
5. Herr Christ, der einig Gottes Sohn (BuxWV 192)
6. Canzona d-moll (BuxWV 168)
7. Præludium F-dur (BuxWV 144)
8. Puer natus in Bethlehem (BuxWV 217)
9. In dulci jubilo (BuxWV 197)
10. Lobt Gott, Ihr Christen, allzugleich (BuxWV 202)
11. Der Tag, der ist so freudenreich (BuxWV 182)
12. Canzonetta e-moll (BuxWV 169)
13. Gelobet seist du, Jesu Christ (BuxWV 188)
14. Gelobet seist du, Jesu Christ (BuxWV 189)
15. Præludium a-moll (BuxWV 153)
16. Wie schön leuchtet der Morgenstern (BuxWV 223)
17. Præludium C-dur (BuxWV 137)
Buxtehude’s Organ Music ©
Its music- historical background
Anyone who, whether as performer, listener or student, has had some experience of the organ music of Dietrich Buxtehude will have sensed a close and inviolable relationship between the musical content of the works and the instrument for which they were created. It is precisely the special character of the organ, its unlimited possibilities for varied sound and dynamic change, that Buxtehude exploited with genius and in a style drawn directly from the instru-
ment. In this, and in severalother respects, the art of Buxtehude’s organ works represents a climax in an historical process which can be traced back to the church music of the Renaissance in the middle of the 16th century, when the organs and organists in the churches inspired an increasing activity of rich experimentation and imaginative creation both in musical expression and form.
RELEASE DATE: JULY 1991
CATALOGUE NUMBER: DACOCD 381
EAN: 5709499381007